Not JUST drawing dolls, but distorted bodies with a view to illustrating the kelp-girl.
Jhonen Vasquez's art style displays similar:
Tim Burton's pen and ink Edward Gorey/German Expressionism derivative:
Considering blacked out eyes or the blank alternative. I think blacked out looks terrible, so I'm glad I established this early on:
Drawings of doll anatomy, separate pieces, smashed up bodies:
Thinking about the distortion of the body in liquid, fractured by the crystalline sea:
Thinking about the glass-plate sea and the girl bound in kelp. Different bindings. Different materials. Etc:
Ink and water marks of Hair, Twine and Bandages:
Using watered down cellulose to mono-print an image of my broken&bound doll, Rauschenberg style?
Misty, wet, but still with the suggestion of the figure bound. I may use one of these as a background for my girl piece. I
Rauschenberg:
Looking at Rauschenberg's technique (I think this is from my second post):
Misty background type things:
Use of colour, use of distortion, water/acid moving and Picasso's drawing everything - both front and back - simple cubism, pieces trapped in a prism of something or other:
Drawing and layering the parts to form an image:
Thinking about 'Picasso Style', cubist front and back - the 360 degree art of Stephen Wiltshire:
Applying it to the doll's head, and the idea of the broken layers of self in the sea:
This part joins onto the one beneath it, but I didn't know how to take a big panaramic photo:
I forgot to photograph the last part...
Thing is, drawing a very small, shapely & rounded as a panorama is very tricky - it looks completely different only a few mm across, which is my excuse for the lack of continuity between the parts and, also, at the behest of my teacher I was trying to draw much larger than I normally do but I kept altering back to the actual size of the doll head and the perspective got MORE screwed. But I liked doing this very much anyhow.
No comments:
Post a Comment